Early exploration covered a wide range of domestic typologies — the question was where form, tactility, and surface continuity could do the most persuasive work. Sketching ran alongside CAD rather than sequentially: testing whether what looked interesting in line would hold up as a solid, and whether what read well as a render had any chance of coming out of a mould at 100g.
100g maximum shot weight rules out a lot. Thick walls, large forms, complex multi-part assemblies — gone early. The brief was already narrowing the field before the first form decision was made. That constraint was visible in every ideation session.
The goal at this stage was range rather than resolution. Mapping how far the material could be pushed visually before it stopped making sense to produce it.